Tarsila do Amaral. Abaporu. 1928
Tarsila do Amaral. A Cuca, 1924
Tarsila do Amaral. Carnival in Madureira. 1924
I went to Tarsila do Amaral: Inventing Modern Art in Brazil at MOMA. It was just as MOMA explained “a rare opportunity to explore the work of this daring modernist” for me. I felt Tarsila’s works were charming and they made me relaxed. Although she had professional education as an artist, her works look more like Naïve art than Modernism or Cubism art.
Tarsila do Amaral (1886–1973) is an Brazilian artist. She studied in Paris with André Lhote, Albert Gleizes, and Fernand Léger. The exhibition focuses on her pivotal production from the 1920s, when she navigated the art worlds of both São Paulo and Paris, and charts her involvement with an increasingly international artistic community, as well as her critical role in the emergence of modernism in Brazil.
A bigger Splash 1967
Portrait of an Artist (Pool with two Figures) 1972
Domestic Scene, Los Angeles 1963
I went to David Hockney show at The Met. They said; this major retrospective—the exhibition’s only North American venue—honors the artist in his 80th year by presenting his most iconic works and key moments of his career from 1960 to the present.
I liked his works long time ago. It was sometime 80’. Then I lost interest and forgot about his works because I thought his works looked more commercial illustration than fine art. I am glad to see my old “friend” who is still doing great. I love the bright colors and lines, which brought cleanness to his works. I see his work more as a fine art now.
The Storm, 1893, Edvard Munch
Madonna, 1895-97, Edvard Munch
Despair, 1894, Edvard Munch
I was lucky to notice The Met Breuer was showing works of Norwegian artist, Edvard Munch (1863–1944). The title of the show is Edvard Munch: Between the Clock and the Bed which was the title of his one of his self-portrait.
Munch’s works are well known for his depictions of human anxiety. Because in modern society, everyone seems living with depression, I think his works reveal one aspect of our modern society. Thus his works are very contemporary.
His most famous work is The Scream, which was not there. It was very disappointing. However, I enjoyed the show. Munch is one of my favorite artists but I didn’t have a chance to see his works at the same time.
I went to see the show, Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction at MOMA.
I knew Francis Picabia but didn’t know much about his works. It was amazing to see entire his career! Its styles ranged widely—and wildly—from Impressionism to radical abstraction, from Dadaist provocation to pseudo-classicism, and from photo-based realism to art informel. He mastered each style. The show looked like works of ten different artists. I love the fact that his works has the sense of millennium.
rancis Picabia. La Nuit espagnole (The Spanish Night). 1922
Francis Picabia. Portrait d’un couple (Portrait of a Couple)
Francis Picabia. La Source (The Spring). 1912.
I found Art You Must See This Fall from my favorite program, The Brian Lehrer Show of WNYC. If you are in and around NYC this fall, check this out. I can’t wait to see Matisse’s show, Cut-Outs at MoMA.
Art You Must See This Fall.