The Last Three by Gillie and Marc
There are only 3 Northern White Rhinos left on earth, and their horns are worth more than gold, ivory, diamonds or cocaine. We’ve poached these marvelous creatures to near extinction, and most people don’t even know about it.
Australian artists Gillie and Marc want to give the world a chance to say goodbye, and raise awareness through an interactive art installation unlike anyone has ever seen before – the world’s biggest rhino sculpture is unveiled in the heart of New York City on March 15, 2018.
While people were seeing The Last Three, they were talking about this white rhino.
It is too late to know but we still have time to save other rhinos.
This art work is very sad but great in terms of getting public awareness.
A bigger Splash 1967
Portrait of an Artist (Pool with two Figures) 1972
Domestic Scene, Los Angeles 1963
I went to David Hockney show at The Met. They said; this major retrospective—the exhibition’s only North American venue—honors the artist in his 80th year by presenting his most iconic works and key moments of his career from 1960 to the present.
I liked his works long time ago. It was sometime 80’. Then I lost interest and forgot about his works because I thought his works looked more commercial illustration than fine art. I am glad to see my old “friend” who is still doing great. I love the bright colors and lines, which brought cleanness to his works. I see his work more as a fine art now.
The Storm, 1893, Edvard Munch
Madonna, 1895-97, Edvard Munch
Despair, 1894, Edvard Munch
I was lucky to notice The Met Breuer was showing works of Norwegian artist, Edvard Munch (1863–1944). The title of the show is Edvard Munch: Between the Clock and the Bed which was the title of his one of his self-portrait.
Munch’s works are well known for his depictions of human anxiety. Because in modern society, everyone seems living with depression, I think his works reveal one aspect of our modern society. Thus his works are very contemporary.
His most famous work is The Scream, which was not there. It was very disappointing. However, I enjoyed the show. Munch is one of my favorite artists but I didn’t have a chance to see his works at the same time.
I went to “the must-see” show, Michelangelo: Divine Draftsman and Designer at Metropolitan Museum. It was very successful show. So many people! Met announced that the 10th most visited exhibition in the museum’s history. It’s brought more than 700,000 visitors for three months. I was one of them. It was so many (but not too many) works. They show not only his works but also other artists who worked with him. I’ve never get tired of seeing those masterpieces! Just beautiful.
Michelangelo Buonarroti (Italian, 1475–1564). Bacchanal of Children. Red chalk. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017
Michelangelo Buonarroti (Italian, 1475–1564). Studies for Christ in the Pietà of Úbeda for Sebastiano del Piombo. Black chalk. Musée du Louvre, Département des Arts Graphiques, Paris (716)
I went to see Kathe Burkhart show at Mary Boone gallery. Though I missed Women’s march, I could make this feminist artist’s show.
In one word, I would say her work is bold. I love that straightforwardness. I also love the way she uses collage. I think the materials of the collage connects between visual image and reality of our life.
Blueballs: from the Liz Taylor Series, 2007
Get the Fuck Out: from the Liz Taylor Series, 2017
I went to an exhibition of new work by Wangechi Mutu at Gladstone Gallery. The title for this exhibition comes from the Gikuyu words for mud and trees, the prima materia for this body of work. Born in Nairobi, Kenya, Wangechi Mutu received her MFA from Yale University. There were so many people at the opening night.
I went to see the show, Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction at MOMA.
I knew Francis Picabia but didn’t know much about his works. It was amazing to see entire his career! Its styles ranged widely—and wildly—from Impressionism to radical abstraction, from Dadaist provocation to pseudo-classicism, and from photo-based realism to art informel. He mastered each style. The show looked like works of ten different artists. I love the fact that his works has the sense of millennium.
rancis Picabia. La Nuit espagnole (The Spanish Night). 1922
Francis Picabia. Portrait d’un couple (Portrait of a Couple)
Francis Picabia. La Source (The Spring). 1912.
Karasu uri, Mieko Arai
The artist and her painting
Raijin, Mieko Arai
Fujin, Mieko Arai
Sakura, Mieko Arai
I went to Japanese painting, Nihonga and calligraphy, Syodou show at Gallery MC. Most of the paintings are steel life. And the subject matters are nature like flowers. The artist, Mieko Arai has a long Nihonga career. I asked her if she paint without seeing real objects. Her answer was “nature is the greatest teacher.” You can learn art by seeing nature. So, painting from real object is crucial part of Nihonga. I think this is an essence of Japanese art.
The Self Defense Force- Rhino / Sachika Iwata 2016
I originally made this image with pen drawing. I silkscreen printed it last week. I always love simple color of print. I think even though this silkscreen printed image and pen drawing one are almost same, they have different feelings.
I went to The Morgan Library and Museum to see Alice: 150 Years of Wonderland.
This is not the show about Disney animation but the original book, Alice’s Adventures in Wonderland written by Lewis Carroll and illustrated by Sir John Tenniel.
It was so many people. By my surprise, many guys were there and looking very carefully. Because the main character, Alice is a girl, I thought that only female readers love this book so much. But I was wrong!